WHEN THE FROST IS ON THE PUNKIN

When the frost is on the punkin and the fodder’s in the shock,
And you hear the kyouck and gobble of the struttin’ turkey-cock,
And the clackin’ of the guineys, and the cluckin’ of the hens,
And the rooster’s hallylooyer as he tiptoes on the fence;
O, it’s then’s the times a feller is a-feelin’ at his best,
With the risin’ sun to greet him from a night of peaceful rest,
As he leaves the house, bare-headed, and goes out to feed the stock,
When the frost is on the punkin and the fodder’s in the shock.

They’s something kindo’ harty-like about the atmusfere
When the heat of summer’s over and the coolin’ fall is here—
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin’-birds and buzzin’ of the bees;
But the air’s so appetizin’; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur’ that no painter has the colorin’ to mock—
When the frost is on the punkin and the fodder’s in the shock.

The husky, rusty russel of the tossels of the corn,
And the raspin’ of the tangled leaves, as golden as the morn;
The stubble in the furries—kindo’ lonesome-like, but still
A-preachin’ sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below—the clover overhead!—
O, it sets my hart a-clickin’ like the tickin’ of a clock,
When the frost is on the punkin and the fodder’s in the shock!

Then your apples all is getherd, and the ones a feller keeps
Is poured around the cellar-floor in red and yeller heaps;
And your cider-makin’s over, and your wimmern-folks is through
With their mince and apple-butter, and theyr souse and saussage, too!…
I don’t know how to tell it—but ef sich a thing could be
As the Angels wantin’ boardin’, and they’d call around on ME—
I’d want to ‘commodate ’em—all the whole-indurin’ flock—
When the frost is on the punkin and the fodder’s in the shock!

Edgar Guest[1. SOURCE: Poets.org] (1881 – 1959)

(Some people[1. e.g. Tom Truex] consider raisin pie to be the high water mark in the American culinary arts. There is tasty recipe for old fashioned Raisin Pie on this blOg.)

Raisin Pie by Edgar Guest

THERE’S a heap of pent-up goodness in the yellow bantam corn,
And I sort o’ like to linger round a berry patch at morn;
Oh, the Lord has set our table with a stock o’ things to eat
An’ there’s just enough o’ bitter in the blend to cut the sweet,
But I run the whole list over, an’ it seems somehow that I
Find the keenest sort o’ pleasure in a chunk o’ raisin pie.

There are pies that start the water circulatin’ in the mouth;
There are pies that wear the flavor of the warm an’ sunny south;
Some with oriental spices spur the drowsy appetite
An’ just fill a fellow’s being with a thrill o’ real delight;
But for downright solid goodness that comes drippin’ from the sky
There is nothing quite the equal of a chunk o’ raisin pie.

I’m admittin’ tastes are diff’runt, I’m not settin’ up myself
As the judge an’ final critic of the good things on the shelf.
I’m sort o’ payin’ tribute to a simple joy on earth,
Sort o’ feebly testifyin’ to its lasting charm an’ worth,
An’ I’ll hold to this conclusion till it comes my time to die,
That there’s no dessert that’s finer than a chunk o’ raisin pie.

Edgar Guest was born on August 20, 1881, in Birmingham, England. His family moved to Detroit, Michigan, in 1891. Edgar began working, in 1895, as a copy boy for the Detroit Free Press. He worked there for almost sixty-five years.

Guest broadcast a weekly program on NBC radio from 1931 to 1942. In 1951, he began “A Guest in Your Home” on NBC TV. Guest published more than twenty volumes of poetry. It is estimated that he wrote over 11,000 poems. Guest has been called “the poet of the people.” His poems usually portrayed a sentimental view of everyday life. He considered himself “a newspaper man who wrote verses.” Edgar Guest died on August 5, 1959.

---

FOOTNOTES:

NAME OF POEM: The Deacon’s Masterpiece Or, The Wonderful “One-Hoss Shay”: A Logical Story
AUTHOR: Oliver Wendell Holmes (1809 – 1894)
DATE: 1885
THEME: There is always a “weak spot” in any piece of equipment or technology–something that breaks first. This poem is about a wonderful piece of machinery (the one horse shay) which is designed and built so well that there are no weak spots. The result is (sort of) a “logical story.”
REQUIRED READING? YES

POEM:

Have you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it — ah, but stay,
I’ll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, —
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive, —
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock’s army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what,
There is always somewhere a weakest spot, —
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace, — lurking still,
Find it somewhere you must and will, —
Above or below, or within or without, —
And that’s the reason, beyond a doubt,
A chaise breaks down, but does n’t wear out.

But the Deacon swore (as Deacons do,
With an “I dew vum,” or an “I tell yeou”)
He would build one shay to beat the taown
‘N’ the keounty ‘n’ all the kentry raoun’;
It should be so built that it could n’ break daown:
“Fur,” said the Deacon, “‘t ‘s mighty plain
Thut the weakes’ place mus’ stan’ the strain;
‘N’ the way t’ fix it, uz I maintain,
Is only jest
T’ make that place uz strong uz the rest.”

So the Deacon inquired of the village folk
Where he could find the strongest oak,
That could n’t be split nor bent nor broke, —
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the “Settler’s ellum,” —
Last of its timber, — they could n’t sell ’em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he “put her through.”
“There!” said the Deacon, “naow she’ll dew!”

Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren — where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED; — it came and found
The Deacon’s masterpiece strong and sound.
Eighteen hundred increased by ten; —
“Hahnsum kerridge” they called it then.
Eighteen hundred and twenty came; —
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.

Little of all we value here
Wakes on the morn of its hundreth year
Without both feeling and looking queer.
In fact, there’s nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it. — You’re welcome. — No extra charge.)

FIRST OF NOVEMBER, — the Earthquake-day, —
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There could n’t be, — for the Deacon’s art
Had made it so like in every part
That there was n’t a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!

First of November, ‘Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-horse shay,
Drawn by a rat-tailed, ewe-necked bay.
“Huddup!” said the parson. — Off went they.
The parson was working his Sunday’s text, —
Had got to fifthly, and stopped perplexed
At what the — Moses — was coming next.
All at once the horse stood still,
Close by the meet’n’-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill, —
And the parson was sitting upon a rock,
At half past nine by the meet’n-house clock, —
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you’re not a dunce,
How it went to pieces all at once, —
All at once, and nothing first, —
Just as bubbles do when they burst.

End of the wonderful one-hoss shay.
Logic is logic. That’s all I say.

REVIEW: This was apparently an immensely popular bit of poetry in it’s day. My father and grandfather were familiar with it. Is this a blueprint for mechanical/industrial design? What engineer wouldn’t be happy with a product that lasted a hundred years? Or maybe it’s a commentary on human life. Everyone wants to live a long life, but no one wants to suffer the consequences of old age. It’s an entertaining bit of history and poetry stirred together. Enjoyable and well worth the time it takes to read it.

RATING (out of 5 stars): ★★★★★